摘要
托妮·莫里森的小说《宠儿》运用独特的审美意象,表现了非裔美国人痛苦而复杂的生命体验及对自我与群体完整性的不懈追求。《宠儿》经历了从毁灭到重生、从受害到调和的发展过程,在审美层面上从崇高走向了优美,从而形成了崇高与优美共存一体的综合审美形态,二者既相互对立又彼此交织。《宠儿》中“弑婴事件”与宠儿幽灵的描写,体现了恐怖性与毁灭性的崇高感;双重性意象及“黑白和解”和“铁链帮”的共同体书写,凸显了再生性与和谐性的优美感。《宠儿》中崇高与优美的交合具有深远的隐含意义。
Toni Morrison's novel Beloved,with distinctive imagery,shows the painful and intricate life experiences of African Americans as well as their quest for personal and communal wholeness.The story of Beloved undergoes a development process from destruction to regeneration and from victimization to reconciliation.On the aesthetic level,it progresses from the sublime to the beautiful,thereby presenting a paradoxical aesthetic synthesis.In Beloved,the depiction of the"infanticide incident"and haunting Beloved,embodies the horror and destructive elements inherent in the sublime;the portrayal of the dualistic images and the special communities of"Black-White Reconciliation"and"Chain-Gang highlights the regenerative and harmonious qualities of the beautiful.The intersection of the sublime and the beautiful in Beloved carries profound significance.
出处
《英语研究》
2025年第2期132-143,共12页
English Studies
基金
国家社会科学重大招标项目“《美国非裔文学史》翻译与研究”(13&ZD127)
广东省哲学社会规划项目“美国非裔文学批评的范式转型”(GD19CWW05)的阶段性研究成果。
关键词
《宠儿》
崇高
优美
毁灭性
和谐性
Beloved
the sublime
the beautiful
destruction
harmony
