摘要
从文学文本分析入手探讨革命妇女主体性问题的研究往往受到“文学性”观念的制约,群众性文艺作品因“文学性”不够而很少被纳入研究视野,即便被研究者所关注,也多认为这些作品的表达方式深受意形态话语影响,因而作品中描写的革命妇女的饱满的精神状态是片面的、虚假的。借助近年来群众性文艺实践的前沿推进,本文提出群众性文艺实践有助于重构妇女问题研究的经验性基础,并应成为理解延安时期革命妇女主体性问题的方法论路径。群众性文艺实践不仅为创作主体的改造提供了场域,同时也致力于改造艺术生产的工具(形式),它的“群众性”并不局限于文学文本内部的深度模式,而是依托于延安边区建设中形成的文艺/新闻/宣传三位一体的生产机制。由此一系列新的“妇女故事”得以产生,作为革命女性参与到革命进程和社会变革的物质性中介,这些故事呈现了个体性别经验如何参与到公共性的革命叙事中的不同路径。其中所呈现的革命主体的主体状态并不以文学创作(同时也是意识形态)中是否成为创作主体为单一衡量标准。
Research that is focused on modern Chinese female subjectivity through a pure literary works lens often does not take mass lit-erary writings into account.These writings were regarded as saturated by revolutionary propaganda and unqualified for"literariness"and therefore the subjectivity of female revolutionaries is inferior.Drawing on recent research on mass literary practices in the Yan'an peri-od,this paper suggests that such practices can enlarge the archive and material basis and serve as a methodological path for the research on revolutionary subjectivity.Fundamentally speaking,mass literary practice refers to the newly emerged literature/journalism/propagan-da mechanism through which creative subjectivity gets reconstructed and the"tools"of literary production renovated.Consequently,a se-ries of new woman profiles had been created.These new woman profiles presented ways for individual experiences to be incorporated into public revolutionary discourse.
作者
刘卓
LIU Zhuo(Institute of Literature,Chinese Academy of Social Sciences,Beijing 100732,China)
出处
《妇女研究论丛》
北大核心
2025年第6期104-112,共9页
Journal of Chinese Women's Studies
关键词
群众性文艺实践
妇女
革命主体性
“人物故事”
mass literary practice
women(funv)
revolutionary subjectivity
profile story
