摘要
在新中国成立后的17年时间里,我国的宣传画艺术得到了长足的发展。该时期的宣传画创作,以“人民”为主体,映射出我国这一时期的国家政策、社会时事、文艺创新等多方面的内容和信息;其创作植根于“人民”,秉持着“源于人民、服务人民、描绘人民”的创作理念,有效地发挥了塑造国家形象、教育广大民众以及记录历史进程的重要作用。
In the 17 years after the founding of the People's Republic of China,from 1949 to 1966,my country's propaganda poster art has made great progress.The creation of propaganda posters during this period,with"people"as the main subject,reflects the content and information of my country's national policies,social current affairs,literary and artistic innovation and other aspects of this period;its creation is rooted in“people”,adhering to the creative concept of“originating from the people and serving the people”,and effectively plays an important role in shaping the national image,educating the general public and recording the historical process.These works are deeply rooted in the masses of the people,and thus have become an indispensable part of my country's art history and propaganda history,and have a certain paradigm effect on current artistic creation.
作者
胡劲峰
HU Jinfeng(Anhui Polytechnic University,School of Design,Wuhu 241000,China)
出处
《周口师范学院学报》
2025年第6期145-150,共6页
Journal of Zhoukou Normal University
基金
安徽省哲学社会科学规划项目“中国政治宣传画的时代精神与图像生成(1949-1966)”(AHSKQ2022D150)。
关键词
“十七年”宣传画
人民性
创作特质
"Seventeen years"propaganda paintings
people-oriented
creative traits
