摘要
图像一直是人类表达情感、进行信息沟通的重要表达符号,但AIGC改变了艺术设计主要依赖图像而非语言进行创作及表达的方式。语言“所指”与图像“能指”间符号意义的转换存在文本输入和输出间的语意不对称。而空间这一既不可精确度量又难以被AI完全量化的形式存在,使得在室内设计的创作中,象征主义的回归或许存在着某种历史必然。借助AIGC对于图片数据的符号化认知和强大学习能力的支撑,“装饰”在意义表达上的语言优势,将在AI的概念性描述和象征化语境中再次获得关注。当语言借助AI替代人类大脑的构思成为设计的工具时,需要从跨领域、跨专业的联想和整合能力、精准表达语意的语言表达能力和人机语意沟通能力等多方面改革室内设计的教学。
Images have always been the important symbol for humans to express emotions and communicate information,but AIGC has changed the way of artistic design creation and expression,which used to rely on images rather than language.The conversion of sign meaning between“signified”of language and“signifier”of images involves semantic and meanings asymmetry between text input and output.Space is an objective form that cannot be accurately measured and is difficult to fully quantify by AI.Therefore,in the design of indoor spaces,the return of symbolism may have some historical inevitability.With the support of AIGC’s symbolic cognition and powerful learning ability for image data,“decoration”will once again receive attention in the conceptual description and symbolic context of AI due to its language advantage in expressing meaning.Language become a kind of new tool for design by replacing the human brain’s ideas with AI.It is necessary to reform the teaching of interior design from multiple aspects,such as developing the ability of students to integrate different professional knowledge,precise language expression and human-machine language communication .
作者
陈冀峻
张娇
Chen Jijun;Zhang Jiao
基金
浙江省2025年软科学重点项目“基于AIGC的宋韵文化遗产保护与创新机制研究”(2025C25021)
2024年浙江省高等教育学会智能教育分会的研究课题项目“AI辅助环境生成的空间设计教学研究”的成果。
