摘要
阎连科的“神实主义”代表作《受活》是当代文学中一部以极致化的荒诞叙事来直面深层历史与社会现实的作品。小说描绘了受活庄在市场和历史的双重挤压下,从传统意义上的“桃花源”异化为一个充满符号学悖谬的“异托邦”;身处其中的残疾人的肉身之苦与精神之殇,在不断被狂欢化消费中,展现了半个多世纪以来中国社会现代性进程中个体与群体的深刻异化与灵魂漂泊。小说以其极端化的荒诞叙事,构建了一种强有力的批判性寓言,实现了对二十世纪中国历史暴力与市场逻辑的双重反思。本文从洛特曼的文化符号学、巴赫金的复调理论、苏珊·桑塔格的疾病隐喻学说等西方文论视角,深入剖析小说中“异化”的“乡土乌托邦”——受活庄的建构与解构过程,以及残疾作为苦难隐喻的身体书写,阐释其独具特色的荒诞诗学理论。
Yan Lianke’s representative work of‘Divine Realism,’Shouhuo,is a contemporary literary work that uses extreme absurd narrative to confront the deep layers of Chinese history and social reality.The novel depicts Shouhuo Village,under the dual pressures of market forces and history,transforming from a traditional‘Peach Blossom Spring’into a‘heterotopia’filled with semiotic paradoxes;the physical suffering and spiritual anguish of disabled individuals within it are continuously consumed through a process of carnivalization,revealing the profound alienation and spiritual drifting of individuals and collectives in the course of China’s modern social development over more than half a century.Through its extreme absurd narrative,the novel constructs a powerful critical allegory,achieving a dual reflection on the violence of twentieth-century Chinese history and the logic of the market.Drawing on Western theoretical perspectives such as Lotman’s cultural semiotics,Bakhtin’s polyphonic theory,and Susan Sontag’s metaphors of illness,this study deeply analyzes the construction and deconstruction of the‘alienated rural utopia’in the novel—Shouhuo Village—and the corporeal writing of disability as a metaphor for suffering,elucidating its unique theory of absurd poetics.
作者
唐瑛
Tang Ying(Xi’an Shiyou University,Xi’an 710065)
出处
《陕西开放大学学报》
2025年第4期89-94,96,共7页
Journal of The Open University of ShaanXi
基金
西安石油大学2023年教育教学改革研究项目“立德树人视域下中华优秀传统文化融入高校通识教育的路径研究(项目编号:JGZC202313)”。
关键词
《受活》
荒诞诗学
苦难书写
异化
狂欢化
符号学
Shou Huo
Absurd poetics
Writing of suffering
Alienation
Carnival like
Semiotics
