摘要
作为一种视角和方法的文图关系,越来越多地被应用到文学尤其是古代文学的研究上来。以人物写照绘影为对象的题咏,至清代成为诗歌盛行的题材。中原内地风雅流衍,云南诗坛出现大量的题画诗,其中人物写照绘影图像题咏数量繁夥,折射出繁荣的文人交往圈和多样的文艺生态。题咏据图像内容而发,多阐发名流风度气节,揭示像主个体气质、志趣怀抱和家庭伦理品格。图像题咏是文人风雅的产物,它们丰富了图像的多维诠释,扩大了云南文人交游范围,提升了云南文人的影响力。同时,图像题咏有风神写照的传承意义,还有地域名人谱系和地域文学文献的建构意义。
Inscriptions on portraits,as a perspective and pethodological approach to text-image relations,are increasingly employed in literary studies,particularly in the field of ancient literature.Inscriptions on portraits depicting figures and capturing their likeness became a prevalent poetic theme during the Qing Dynasty.As elegance and refinement flourished in the Central Plains,a large number of poem inscriptions on paintings emerged in Yunnan's poetic circles.Among these,inscriptions on portrait paintings were particularly abundant,reflecting a vibrant literary network and a diverse artistic and cultural ecosystem.These inscriptions,inspired by the content of the images,elaborated on the demeanor and moral integrity of notable figures,revealing their individual temperament,aspirations,and family ethical character.As products of literati refinement,the inscriptions enriched the multidimensional interpretation of images,expanded the scope of literary exchanges among Yunnan's scholars,and enhanced their influences.Furthermore,portrait inscriptions carried forward the tradition of capturing spiritual likeness,contributing to the construction of regional celebrity genealogies and the documentation of local literary heritage.
作者
李超
LI Chao(School of Humanities,Qujing Normal University,Qujing Yunnan 655011,China)
出处
《曲靖师范学院学报》
2025年第6期51-58,共8页
Journal of Qujing Normal University
基金
教育部人文社会科学规划基金项目“中原与边省互动关系下的清代云南文学研究”(24YJA751012)
云南省哲学社会科学规划重大项目招标“云南文学史(5卷本)”(ZDZB201807)
云南省哲学社会科学一般项目“晚清民国云南文人交往与文学活动研究”(YB2023066)。
关键词
云南文学
图像题咏
杨慎
钱沣
师范
乡邦文献
inscriptions on portraits
Yang Shen
Qian Feng
Shi Fan
Yunnan literature
local literature
