摘要
本文以音乐剧《寻找李二狗》的灯光设计实践为核心,探讨在战争历史题材剧目中,如何运用现代灯光技术与艺术手法解构历史叙事、外化情感冲突并构建沉浸式舞台空间。通过抽象、写实与写意三重美学风格的有机融合,“刚柔并济”的光影诗学表达,以及升降灯系统、碉堡光束、地逆光等创新技术的应用,灯光设计不仅精准服务于剧作的时空穿越结构,深刻揭示了战争与人性的核心主题,并成功将历史记忆转化为当代观众可感可触的视觉体验,实现了历史厚重感与艺术感染力的统一,为革命历史题材舞台艺术的视觉呈现提供了有益探索。
This paper centers on the lighting design practice for the musical Finding Li Ergou,exploring how modern lighting techniques and artistic approaches deconstruct historical narratives,externalize emotional conflicts,and construct immersive stage spaces in war-themed historical productions.Through the organic integration of three aesthetic styles-abstraction,realism,and impressionism—alongside the“harmonizing strength and softness”poetics of light and the innovative application of technologies such as elevated lighting systems,bunker beams,and ground backlighting,the lighting design not only precisely serves the musical’s time-traveling structure but also profoundly reveals its core themes of war and humanity.By transforming historical memory into a palpable visual experience for contemporary audiences,it achieves a unity of historical gravitas and artistic impact,offering valuable insights for the visual presentation of revolutionary historical stage art.
作者
孔庆尧
KONG Qingyao(Shanghai Film Art Academy,Shanghai 201203,China)
出处
《演艺科技》
2025年第2期93-97,共5页
Entertainment Technology
关键词
灯光设计
音乐剧
《寻找李二狗》
战争题材
历史叙事
光影美学
lighting design
musical theater
Finding Li Ergou
war-themed production
historical narrative
aesthetics of light and shadow
