摘要
漆画作为从漆艺母体中剥离的新兴画种,正处在从“技术附庸”走向“文化自觉”的关键转型期。本文在辨明图式概念误读的基础上,提出建立起以从“原型”到“修正”为轴心的协同循环逻辑,以此形成共识性、普适性、传承性的具有文化识别度与时代感知力的漆画图式系统。
As an emerging genre derived from lacquer art,lacquer painting is currently undergoing a critical transition from being a“technical affiliation”to raising“cultural self-awareness”.This article,based on clarifying the misinterpretations of the concept of schema,proposes establishing a coordinated cyclical logic centered on the transition from“prototype”to“revision”,so as to develop a consensus-driven,universally applicable,and inheritable lacquer painting schema system that embodies cultural identity and contemporary relevance.
作者
吴俊
寇焱
Wu Jun;Kou Yan(School of Fine Arts,Jiangxi Science and Technology Normal University;Lacquer Painting Art Committee,China Artists Association)
出处
《美术》
北大核心
2025年第12期69-71,共3页
Art Magazine
基金
国家社科基金艺术学项目“中国现代漆画百年发展研究”(项目编号:21BF083)
江西省社科重点研究基地项目“江西漆艺术历史研究”(项目编号:2024KFJJ58)的阶段性研究成果。
关键词
当代漆画
图式
原型
修正
文化自觉
时代关切
contemporary lacquer painting
schema
prototype
revision
cultural self-awareness
contemporary concern
