摘要
从1950年代开始,港台地区电影界在制作层面交流频繁,电影《梁山伯与祝英台》《龙门客栈》等掀起港台地区电影互动的热潮。进入1960年代,港台地区电影在制作层面之外的理论层面也开启交流,两地影评人互相通信、互寄资料、共办刊物、合作拍摄等。其中,1965年诞生在中国台湾的《剧场》季刊首开当时港台地区影评人交流互动的先河,以中国台湾影评人邱刚健和香港地区影评人罗卡为核心的港台地区两地影评人共同担任《剧场》杂志的编辑,他们策划选题、翻译稿件、写作影评、拍摄短片,推动了港台地区两地的影评互动与深入交流。
Since the 1950s,the film industries of Hong Kong region and Taiwan Region of China had maintained frequent exchanges at the production level.Films such as The Love Eterne and Dragon Inn sparked a boom in interactions between Hong Kong region and Taiwan Region of China cinema.Entering the 1960s,exchanges between the two regions’film circles extended beyond production to the theoretical level.Film critics from both sides corresponded with each other,exchanged materials,co founded publications,and collaborated on film projects,among other activities,among which,Theatre Quarterly,was launched in Taiwan in 1965,pioneering exchanges and interactions between Hong Kong region and Taiwan Region of China film critics at that time.With Taiwan resident,China film critic CHIU Kangchien and Hong Kong region film critic LAW Kar as the core,film critics from both regions jointly serving as editors of Theatre Quarterly.They planned topics,translated articles,wrote film reviews,and shot short films,thereby promoting in depth interactions and exchanges between film critics from Hong Kong region and Taiwan Region of China.
作者
王万尧
WANG Wanyao(School of Journalism and Communication,Nanjing Xiaozhuang University,Nanjing 211171,China)
出处
《宜春学院学报》
2025年第10期74-77,共4页
Journal of Yichun University
基金
教育部规划基金项目“台湾影评史研究(1946—2020)”(项目编号:21YJA760068)。
关键词
港台地区影评人
《剧场》季刊
邱刚健
罗卡
Hong Kong region and Taiwan Region of China film critics
Theatre Quarterly
CHIU Kanghien
LAW Kar
