摘要
舒曼声乐套曲《诗人之恋》基于一个显著的爱情悲剧主题,与一般悲剧的“宏大叙事”不同,作品聚焦于悲剧的另一个侧面,以含蓄柔和的音乐话语呈现出独特的悲剧品格,彰显了柔性音乐叙事的内在本质。文章认为,缓和性意味集中体现在具有音乐情节转折意义的第6至第9首歌曲。其中,色彩性的和声、小调的隐喻和模进是悲剧叙事的具体塑造手段。该创作展现了对音乐表现的积极探索,渗透着音乐形式和内容这对美学范畴的观念发展。
Schumann's song cycle Dichterliebe is based on a distinct theme of love tragedy.Unlike the"grand narratives"of typical tragedies,this work focuses on another facet of tragedy,presenting a unique tragic character through subtle and gentle musical discourse,thereby highlighting the intrinsic nature of a flexible musical narrative.This paper argues that the mitigating quality is centrally embodied in Songs 6 to 9,which mark a turning point in the musical plot.Within these songs,coloristic harmonies,minor-key metaphors,and sequences serve as specific techniques shaping the tragic narrative.This compositional approach demonstrates an active exploration of musical expression and reflects the conceptual development within the aesthetic categories of musical form and content.
出处
《星海音乐学院学报》
北大核心
2025年第4期133-146,共14页
Journal of Xinghai Conservatory of Music
关键词
舒曼
《诗人之恋》
悲剧内涵
柔性叙事
音乐情节
Schumann
Dichterliebe
Tragic Connotation
Flexible Narrative
Musical Plot
