摘要
中国电影中的舟船空间不计其数,它们与中国传统艺术的舟船意象一脉相承,与中国源远流长的哲学观念与文化思想紧密相连。本文从舟船空间的艺术渊源与思想根基出发,总结中国艺术在舟船叙事上的实践经验与美学表征,继而进入中国电影的舟船空间之内,归纳它们的外在表征与叙事形态,阐释其内在的叙事旨趣与文化意蕴。细究可知,中国电影中的舟船空间虽在叙事形态上有所区别,但却集中表现出共性的审美认知——它们以游/浮/渡的姿态,以形媚道、以为镜鉴、以寄余生,成为中国电影的典型文化空间。
Countless boat spaces feature in Chinese cinema,inheriting the imagery of vessels from traditional Chinese art while remaining intrinsically linked to the nation's profound philosophical concepts and cultural thought.This paper traces the artistic origins and philosophical foundations of vessel spaces,summarising Chinese art's narrative practices and aesthetic representations concerning vessels.It then examines vessel spaces within Chinese cinema,identifying their external manifestations and narrative forms while elucidating their intrinsic narrative purposes and cultural connotations.Upon closer examination,it becomes evident that while the narrative forms of vessel spaces in Chinese cinema vary,they collectively embody a shared aesthetic consciousness.Through their modes of drifting,floating,and crossing,these spaces manifest as vehicles for embodying principles,serving as mirrors for reflection,and providing refuge for the remainder of life,thereby establishing themselves as quintessential cultural spaces within Chinese cinema.
基金
国家社科基金艺术学重大项目“中国艺术文化传统在当代中国电影中的价值传承与创新发展研究”(项目编号:20ZD18)阶段性成果。
关键词
中国电影
舟船
空间叙事
文化空间
Chinese cinema
vessels
spatial narrative
cultural space
