摘要
《五知斋琴谱》是广陵派的“立派之谱”,素以“论断精严,指示详确”而著称。明末清初是中国古琴艺术从“徽法律”走向“准法律”的重要转折期。《上琴弦要法》中的纯律音程反映了《五知斋琴谱》在以五度相生律调弦法之外,对“徽法律”仍在有意识地继承。《五知斋琴谱》中错乱的琴调体系源自《澄鉴堂琴谱》,而《自远堂琴谱》在接受这些琴曲时大多进行了更正。在清代广陵派古琴艺术律的传承与调的革新之间,广陵派古琴艺术逐渐突破“清微淡远”的限制,从“中正平和”转向“跌宕起伏”,走出了一条“文艺复兴”式的新路。
The Wuzhizhai Qinpu stands as the"seminal treatise"of the Guangling School,renowned for its"precise and rigorous analysis coupled with detailed and accurate guidance."The late Ming and early Qing periods marked a pivotal transition in Chinese Guqin artistry,shifting from the"Hui tuning system"towards the"quasi equal temperament system."The pure tone intervals documented in Shangqinxian Yaofa reveal that while adopting the pentatonic-basedtuning system,the Wuzhizhai Qinpu consciously preserved elements of the microtonal tradition.The chaotic tuning system within the Wuzhizhai Qinpu originated from the Chengjiantang Qinpu,whereas the Ziyuantang Qinpu largely corrected these tunings when incorporating the same pieces.Amidst the Qing dynasty's interplay between preserving the Guangling School tuning traditions and innovating scales,the art form gradually transcended the constraints of"subtle,distant,and austere"expression.It shifted from"centred,balanced,and harmonious"towards"undulating and dynamic"qualities,forging a new path reminiscent of a"Renaissance"in musical artistry.
基金
国家社科基金艺术学重大项目“中国乐学理论体系研究”(项目编号:22ZD12)阶段性成果。
关键词
《五知斋琴谱》
琴调
琴律
广陵派
Wuzhizhai Qinpu,Qin tune
Qin tuning,the Guangling School
