摘要
文旅融合是将文化形态转换为实践形态的路径方法,为民间美术形态的传承创新提供了新的思路和实践路径。文本以灵璧钟馗画这一皖北民间美术形式为个案,分析了灵璧钟馗画的文旅融合现状。研究表明,尽管灵璧钟馗画独具魅力,但其文旅融合发展仍面临同质化问题。基于此,文本在系统审视其转化现状、存在问题及面临挑战的基础上,提出灵璧钟馗画与旅游融合发展的建议和对策,旨在为皖北民间美术的传承提供新思路。
The integration of culture and tourism serves as a methodological pathway for transforming cultural forms into practical applications,offering innovative conceptual frameworks and implementation approaches for the preservation and revitalization of folk art.This paper takes the Lingbi Zhong Kui paintings,a folk art form in northern Anhui,as a case study to analyze the current situation of cultural tourism integration in Lingbi Zhong Kui paintings.This research has shown that despite the unique charm of Lingbi Zhong Kui paintings,their integration of culture and tourism still faces homogenization issues.Based on this,after systematically examining its conversion status,existing problems,and challenges,the study proposes targeted recommendations and strategic measures for the integrated development of Lingbi Zhong Kui paintings with tourism,with the objective of providing novel perspectives for the preservation of northern Anhui folk art traditions.
作者
刘子琪
王子彪
LIU Ziqi;WANG Zibiao(School of Fine Arts and Design,Suzhou University,Suzhou 234000,China)
出处
《宿州学院学报》
2025年第10期5-9,共5页
Journal of Suzhou University
基金
宿州学院人文社会科学研究重点项目(2022yzd16)
安徽省教育厅高校科学研究重大项目(2023AH040307)。
关键词
皖北民间美术
灵璧钟馗画
同质化发展
文旅融合
folk art in northern Anhui
Lingbi Zhong Kui painting
homogenized development
integration of culture and tourism
