摘要
作为荆楚文化的活态载体,沔阳皮影面临技艺断层与受众萎缩的危机。文章以“技术为舟,文化为舵”为核心理念,构建非物质文化遗产数字化创新框架,在“文化定舵”方面,解析沔阳皮影基因符号,确立创新美学与精神边界;在“技术行舟”方面,从沔阳皮影3个维度进行分析,如“形”:3D扫描、存证纹样,动态分形重构运动轨迹;“魂”:全息剧场活化新叙事,强化荆楚文化认同;“脉”:文旅融合与IP生态构建释放经济动能,同时提出通过“AI参与度≤30%”的量化标准及传承人占40%的伦理委员会实现“舟舵制衡”。研究表明,以技术承载文化传播、以楚魂划定发展边界方能实现非物质文化遗产活态传承与现代转化的统一。
As a living carrier of Jingchu culture,Mianyang shadow puppetry faces the crisis of skill discontinuity and audience shrinkage.This paper constructs a framework for the digital innovation of intangible cultural heritage with the core idea of“technology as the vessel,culture as the rudder”.In the aspect of“culture as the rudder”,it analyzes the genetic symbols of Mianyang shadow puppetry,establishing innovative aesthetic and spiritual boundaries;in the aspect of“technology as the vessel”,it analyzes the Mianyang shadow puppetry from three dimensions,such as“form”:3D scanning and archival pattern documentation,dynamic fractal reconstruction of movement trajectories;“soul”:revitalizing new narratives in holographic theaters to enhance the identification with Jingchu culture;“pulse”:the integration of culture and tourism,and the construction of an IP ecosystem to unleash economic momentum,all explored across three dimensions.Additionally,it proposes a quantitative standard of“AI involvement not exceeding 30%”and an ethical committee consisting of 40%inheritors to achieve“balance between the boat and the rudder”.Research indicates that by using technology to carry cultural dissemination and defining developmental boundaries with the essence of Chu,a unified realization of the living inheritance and modern transformation of intangible cultural heritage can be achieved.
作者
崔岩
李祎漫
Cui Yan;Li Yiman(Hubei Institute of Fine Arts,Wuhan 430000,China)
出处
《纺织报告》
2025年第11期136-138,共3页
基金
2024年度湖北省非物质文化遗产研究中心基金项目“数字背景下的荆楚非遗文化数字化平台研究”成果(FY-2024-01)。
关键词
沔阳皮影
数字赋能
荆楚文化
活态传承
技术伦理
文化创新
Mianyang shadow puppetry
digital empowerment
Jingchu culture
living inheritance
technological ethics
cultural innovation
