摘要
“世界”,作为艾布拉姆斯“四要素”中最宏观的层面,是“景漂”群体艺术活动产生与存在的物质基础,为其提供历史与现实背景,同时也是其艺术作品再现、反映或表现的对象。在信息化与全球化的时代环境中,景德镇对于“景漂”而言,构成了一种特殊的“异托邦”(heterotopia):他们脱离原有的生活环境,获得相对自由的创作空间,但同时因为缺乏社会根基而处于相对不稳定的状态。他们通过参与创意市集,在追求理想劳动与应对市场压力之间寻找平衡,从而推动了景德镇文化景观的空间再生产。“景漂”群体的现实生存压力、景德镇陶瓷的消费文化氛围以及全球化背景下的当代艺术市场等,共同塑造了“景漂”的文化处境,并推动了“景漂”与景德镇城市文化景观之间的互动性建构。
The"universe",as the most macro dimension in Abrams"four elements"framework,constitutes the material foundation for the artistic activities of the"Jingpiao"group.It provides both historical and contemporary contexts,while also serving as the object of representation,reflection,or expression in their works.In the context of informatization and globalization,Jingdezhen for"Jingpiao"represents a distinctive heterotopia:a space where they detach from their original life environments and gain rela-tive freedom in artistic creation,yet remain in a relatively unstable condition due to the lack of deep social grounding.Through their participation in creative markets,"Jingpiao"seek to balance the pursuit of ideal labor with the pressures of the market,the-reby driving the spatial reproduction of Jingdezhen's cultural landscape.The practical pressures of survival,the consumer culture surrounding Jingdezhen ceramics,and the globalized contemporary art market together shape the cultural circumstances of"Jing-piao"and foster the interactive construction between this group and Jingdezhen's urban cultural landscape.
作者
江润宇
毛青
JIANG Runyu;MAO Qing(Jingdezhen Ceramic University,Jingdezhen 333403,Jiangxi,China)
出处
《中国陶瓷工业》
2025年第5期68-73,共6页
China Ceramic Industry
关键词
景漂
城市空间
异托邦
空间再生产
理想劳动
"Jingpiao"
urban space
heterotopia
spatial reproduction
ideal labor
