摘要
内蒙古手风琴音乐作为民族音乐与西方乐器融合的独特存在,其本土化实践与当代性重构意义重大且值得深入探究。自1947年内蒙古自治区成立以来,手风琴音乐在内蒙古地区历经萌芽、发展至繁荣的多个重要阶段,慢慢发展成承载情感、记录时代交替的重要艺术载体。在发展进程中,内蒙古手风琴音乐依托专业教育的蓬勃兴起、民间实践的广泛活跃、积极探索创新、跨界融合的创新实践以及国际交流的不断拓展,成功构建起独具特色的发展模式。本文详细梳理了其在历史传承、艺术实践与文化交融等不同阶段所呈现出的鲜明发展特性。然而,当前内蒙古手风琴音乐的发展也面临着诸多严峻挑战,如专业创作人才匮乏、理论研究进展缓慢、教育资源分配失衡等问题,这些问题在一定程度上制约了其进一步发展。针对这些困境,本文相应地提出了切实可行的策略方案,旨在推动内蒙古手风琴音乐在本土化实践与当代性重构的道路上实现持续、健康的发展。
As a unique existence that integrates national music with Western instruments,the localization practice and contemporary reconstruction of Inner Mongolia's accordion music are of great significance and worthy of in-depth exploration.Since the establishment of the Inner Mongolia Autonomous Region in 1947,accordion music in the region has gone through several important stages from germination and development to prosperity,gradually growing into a key artistic carrier of national emotion and a record of the changing times.In the course of its development,Inner Mongolia's accordion music has successfully built a unique development model,relying on the vigorous rise of professional education,extensive and active folk practices,the positive beginnings of nationalization exploration,innovative practices of cross-disciplinary integration,and continuous expansion of international exchanges.This article provides a detailed review of the distinct developmental characteristics it has exhibited in different stages of historical inheritance,artistic practice,and cultural blending.However,the current development of Inner Mongolia's accordion music also faces many severe challenges,such as the scarcity of professional creative talents,slow progress in theoretical research,and imbalanced distribution of educational resources.These problems have,to a certain extent,restricted its further development.In response to these difficulties,this article proposes corresponding practical strategies and solutions,aiming to promote the continuous and healthy development of Inner Mongolia's accordion music on the path of localization practice and contemporary reconstruction.
作者
毕丹
BI Dan(School of Music,Inner Mongolia Arts University,Hohhot 010010,China)
出处
《内蒙古艺术学院学报》
2025年第3期93-100,共8页
Journal of Inner Mongolia Arts University
基金
内蒙古自治区社会科学基金2024年度常规项目“新时期内蒙古手风琴音乐发展研究与评论”(项目编号:2024DY04)成果。
关键词
内蒙古手风琴音乐
创新风格
草原风格建构
Inner Mongolia accordion music
national innovation
construction of grassland style
