摘要
女性形象在国产电影中体现着重要的中华民族文化内涵。在新时代建设文化强国的背景下,国产电影正经历着如何让女性形象突破刻板化塑造与他者化叙述的转型。北疆题材的电影作为国产电影的重要组成部分亦须顺应这一时代转向,以铸牢中华民族共同体意识的时代精神及丰富内涵重构当代北疆题材影像中的女性形象。突破传统窠臼,强调从被凝视的客体向自我叙事主体的转变。让女性形象在家庭、职业与社会多维空间中展现自我觉醒与独立人格,映射出当代中国女性在身份认同、价值坚守和文化传承中的主体意识,彰显新时代中国女性的独特风采与文化价值。
Female images in domestic films embody significant cultural connotations of the Chinese nation.Against the backdrop of building a culturally strong nation in the new era,domestic films are undergoing a transformation aimed at breaking away from stereotypical portrayals and the narrative of"otherness"in the depiction of female characters.As an important component of domestic cinema,Northern Frontier-themed films must also align with this contemporary shift.Guided by the spirit and rich implications of forging a strong sense of the Chinese national community,it is essential to reconstruct the female images in contemporary Northern Frontier-themed films.This involves breaking through traditional constraints and emphasizing the transition from being the object of the gaze to becoming the subject of self-narration.Female characters should demonstrate self-awakening and independent personalities within the multidimensional spaces of family,profession,and society.This reflects the subjective consciousness of contemporary Chinese women in terms of identity construction,value adherence,and cultural inheritance,thereby highlighting the unique charm and cultural value of Chinese women in the new era.
作者
张宸赫
ZHANG Chenhe(Pioneer College Inner Mongolia University,Hohhot 010010,China)
出处
《内蒙古艺术学院学报》
2025年第3期34-41,共8页
Journal of Inner Mongolia Arts University
关键词
北疆文化
女性形象
女性话语
身份认同
Northern Frontier culture
female image
female discourse
identity construction