摘要
后人类概念是在机器突破人类主体性边界后逐渐形成的。尤其是在人工智能技术深度介入人类生命与存在的时代,以基因编辑、人工智能体、生物增强、会聚技术为代表的技术系统不断推动“人机融合”,一系列以机器人、人工智能、仿生人为代表的后人类科幻电影角色参与各种叙事主题的表达,人与非人的边界被模糊。本文围绕有机生命和无机生命边界、肉身的仿拟与摒弃、情感范式的挪用与置换三个主题展开后人类角色向赛博格、数字化身、有情机器人等未来方向迭代的阐述。后人类成为渗透人类边界地带的弗兰肯斯坦式魅影。
The concept of post-humanism gradually formed after machines broke through the boundaries of human subjectivity.Especially in the era where artificial intelligence is deeply intervenes in human life and existence,systems represented by gene editing,artificial intelligence agents,biological enhancement,and convergence technologies continue to promote the human-machine integration.A series of post-human science fiction film characters with robots,artificial intelligence,and androids as the main characters participate in the expression of various narrative themes.Blurring the boundaries between humans and non-human beings.Focusing on three themes of organic and inorganic life boundaries,the simulation and abandonment of physical bodies,and the appropriation and replacement of emotional paradigms,this paper elaborates on the iterative development of human characters towards future directions such as cyborgs,digital avatars,and sentient robots.Post-humans become Frankenstein-like phantoms that permeates the boundaries of humanity.
作者
陈雪飞
黄霓
CHEN Xuefei;HUANG Ni(College of Art,Zhejiang Normal University,Jinhua 321004,China)
出处
《浙江师范大学学报(社会科学版)》
2025年第5期72-81,共10页
Journal of Zhejiang Normal University(Social Sciences)
关键词
后人类
怪物
角色
边界
post-human
monster
character
boundary
