摘要
本文以2025年暑期档水墨风格二维动画电影《浪浪山小妖怪》为例,系统阐释电影声音设计和制作技术对影片精神内核与美学阐释的有力支撑。通过重点解析该片对白音效设计、拟音与效果呈现、环境声构建及混录制作等多维度技术方案,研究频谱塑形、动物哼鸣等系统化音色设计对影片角色特征的辅助作用,探析去地域化环境声方式营造寓言空间的技术路径,实现了通过留白策略强化影片情感张力与精神升华的混录方案。研究表明,影片的声音技术方案成功搭建了一套自然质朴、富有辨识度且契合水墨意境的整体声景,实现了超越程式化处理的声音制作路径,通过听觉符号化、情感映射与留白美学,有效承载了电影叙事功能与精神内核,为动画电影声音创作生产提供了有益探索。
Based on a thorough case study towards ink⁃painting style 2D animated film Nobody,this paper systematically explains how film sound design and production technology provides the support for the spiritual core and aesthetic interpre⁃tation of the film.By focusing on analyzing the multi⁃dimensional technical scheme of the film,especially on dialogue sound effects design,foley and sound effects presentation,soundscape scheme as well as sound mixing and recording produc⁃tion,this paper studies the auxiliary function of systematic tone design towards multiple film characters from spectral shape⁃ing,animal sound foley,etc.In the meantime,this paper explores the technical pathway of creating fable space by de⁃terri⁃torializing soundscape schem,and realizes a sound mixing and recording scheme of strengthening the emotional tension and spiritual sublimation of the film through leaving blank space strategy.The research shows that the sound production scheme of Nobody has successfully built an overall soundscape with natural,simple,recognizable while also fits the artistic conception of ink painting,and achieved the sound production path beyond traditional stylized processing.Through audi⁃tory symbolization,emotional mapping and blank space aesthetics,it effectively carries the narrative function and spiritual core of the film,which provides a useful exploration for the sound creation and production of animated films.
作者
张金岩
邱逸
ZHANG Jinyan;QIU Yi(CHINA FILM PRODUCTION CO.,LTD.)
出处
《现代电影技术》
2025年第9期19-27,共9页
Advanced Motion Picture Technology
基金
国家社科基金艺术学项目“中国类型电影声音创作与理论研究”(22BC050)。
关键词
动画电影声音设计
ADR设计
语音饱和化处理
高采样率录音与加工
环境声方案
Sound Creation for Animated Motion Picture
ADR Design
Speech Saturation Processing
High Sampling Rate Recording and Processing
Soundscape Scheme
