摘要
数字技术的发展打破了传统艺术的表现形式,文化传播也由此获得革新式发展。以浏阳花炮为代表的非物质文化遗产正在借助数字技术重新定义自身,其多元的文化维度空间也依托数字技术在生产与传播上引申出新的内涵,并重构了文化传播的方式与途径,最终改变了非物质文化遗产“传播与保护”的模式,并呈现为数字化的非遗活态传承实践。本文聚焦于以浏阳花炮为代表的非物质文化遗产传播路径,分析其文化内蕴与外在传播机制,推动构建其数字化传承的技术路径与样本特征。
The development of digital technologies has broken the boundaries of traditional artistic expressions,thereby driving the innovative development of cultural dissemination.Intangible cultural heritage(ICH)art forms represented by Liuyang Fireworks are leveraging digital technologies to redefine themselves.Meanwhile,multidimensional cultural spaces have developed new connotations in production and dissemination by relying on digital technologies,which restructures the methods and approaches of their cultural dissemination.Ultimately,this process transforms the“dissemination and protection”model inherent to ICH and converts it into digitalbased living inheritance practices of ICH.Focusing on the dissemination paths of ICH represented by Liuyang Fireworks,this study analyzes the cultural connotations and external dissemination mechanisms of Liuyang Fireworks,and further promotes the construction of technological support and formal characteristics for its digital transformation.
作者
储文韬
赵凌崧
CHU Wentao;ZHAO Lingsong(School of Media,Anhui University of Arts,Hefei 230033;School of Humanities and Arts,Hunan International Economics University,Changsha 410205,China)
出处
《苏州工学院学报》
2025年第5期82-88,共7页
Journal of Suzhou Universtiy of Technology
基金
安徽艺术学院质量工程精品课《传播学》(2023xjkcjg018)
2024年度安徽艺术学院智库专项科研项目“安徽省口语传播策略研究”(zk202409)。
关键词
非物质文化遗产
数字技术
浏阳花炮
媒介化转型
离身化
intangible cultural heritage(ICH)
digital technology
Liuyang Fireworks
mediation-based transformation
disembodiment
