摘要
区别于小说原作,改编自作家余华同名小说、由魏书钧导演的电影《河边的错误》进行了多重空间叙事,具体体现在地理空间的符号化构建、精神空间的具象化呈现和社会空间的隐喻化塑造三个方面。多重空间叙事的运用使电影在人物塑造、情节叙述、主题表达等方面实现了对原作在继承基础之上的创新,也由此对人性的复杂性、人类社会生活的理性秩序和非理性的冲突等进行了深入思考,显现出了深刻的人文关怀色彩。
The film Only the River Flows,adapted from the eponymous novel by Yu Hua and directed by Wei Shujun,innovatively employs a multi-layered spatial narrative distinct from its literary source.This approach manifests in three dimensions:the symbolic construction of geographical spaces,the concrete representation of psychological spaces,and the metaphorical shaping of social spaces.The use of multi-layered spatial narrative allows the film to innovate upon the original work in character portrayal,plot narration,and thematic expression.It also prompts profound reflections on the complexity of human nature,the rational order of social life,and the conflict with irrationality,demonstrating deep humanistic concern.
作者
陈丽
CHEN Li(Nanchang Normal University,Nanchang 330032,China)
出处
《扬州教育学院学报》
2025年第3期59-63,共5页
Journal of Yangzhou College of Education
基金
江西省高校人文社会科学研究项目(JC23112)。
