摘要
涅克拉索夫的“帕纳耶娃组诗”、丘特切夫的“杰尼西耶娃组诗”和费特的“拉兹契组诗”均为19世纪俄国文学中具有自传色彩和长篇小说般叙事特色的爱情组诗。这三组组诗以毫无保留的真诚、深刻的自我剖析与细腻的心理描写,将俄国爱情诗推向了新的高度。它们如同一曲悲剧爱情的三重奏,分别展现了现实之爱的力量与脆弱、对立之爱的美好与矛盾、遗憾之爱的无望与悔恨。通过对比分析,本文揭示了三位诗人对爱情悲剧的不同诠释以及他们在叙事和情感表达上的独特风格。这些组诗不仅丰富了俄国爱情诗的传统,也体现了诗人对人性、情感和社会现实的深刻洞察,为理解19世纪俄国文学中的爱情主题提供了新的视角。
Nekrasov's Panayeva Cycle,Tyutchev's Denisyeva Cycle,and Fet's Razychi Cycle,characterized by novelistic narrative depth,represent three autobiographical love poetry sequences in 19th-century Russian literature.Through unflinching sincerity,profound self-examination,and intricate psychological portrayals,all three cycles elevate Russian love poetry to new heights,and form a tragic triad of love:Nekrasov's work explores the strength and fragility of earthly love;Tyutchev's delves into the paradoxical beauty of forbidden passion;Fet's laments the futility and remorse of irretrievable loss.By comparison,this paper tries to reveal the poets'distinct interpretations of romantic tragedy and their unique stylistic approaches to narrative and emotional expression.Beyond enriching the tradition of Russian love poetry,these cycles offer profound insights into human nature,emotional complexity,and social realities,providing fresh perspectives for understanding love as a theme in 19th-century Russian literature.
出处
《中国俄语教学》
2025年第3期56-64,共9页
Russian in China
基金
2024年天津市哲学社会科学重大项目“区域国别视域下‘一带一路’沿线国家文化教育发展”(TJZKZX2411)
2024天津市教委科研计划项目“20世纪俄国察里津诗歌空间叙事研究”(2024SK064)的阶段性成果。
