摘要
商周时代的诗人们根据远古时代崇拜物的不同特性,对木本植物的原始文化意象进行创造性继承与创新性发展,逐渐将其转换成为永恒吉祥之象、人物品行之象、政治生活之象、社会生活之象、婚姻恋爱之象。这些意象以自然崇拜信仰为基本前提,其中的原始宗教象征意义逐渐变得隐蔽,习惯性联想形式成为显性因素,呈现出由图腾崇拜或自然崇拜对象到具有多元化社会属性的文化意象,再到富有审美意义、象征意蕴的文学意象的动态发展链条。木本植物类意象群演化的直接动因是原始宗教文化由自然宗教文化向人文宗教文化的演进,内在逻辑是哲学观念由“万物有灵”自然观向“天人合一”宇宙观的转型。
Based on the different characteristics of the cult objects in the ancient times,the poets of the Shang and Zhou Dynasties creatively inherited and innovatively developed the primitive cultural imagery of woody plants and gradually transformed them into the images of eternal auspiciousness,character,political life,social life and marriage and love.Based on the basic premise of nature worship beliefs,these images gradually hide their original religious symbolism,but highlight habitual forms of association.Therefore,they show the chain of dynamic and continuous changes from the totem worship or nature worship objects,to the images of physical phenomena,cultural images with diversified social attributes,and then to literary images with aesthetic significance and rich symbolic meanings.The specific reason for the dynamic and continuous evolution of this symbolic system chain is that the primitive religious symbolism has gradually changed from explicit to implicit.The direct cause is that the primitive religious culture has evolved from natural to humanistic religious culture,while the internal logic is that the philosophical concept has shifted from the natural view of“all things have spirits”to the natural view of“heaven and humans are united as one”.
作者
邵炳军
黄泽浩
Shao Bingjun;Huang Zehao
出处
《中原文化研究》
2025年第5期93-100,共8页
The Central Plains Culture Research
基金
国家社会科学基金重大项目“《诗经》与礼制研究”(16ZDA172)。
关键词
“万物有灵”
“天人合一”
商周时期
文化变迁
木本植物意象群
“all things have spirits”
“heaven and humans are united as one”
Shang and Zhou Dynasties
cultural changes
the evolution of woody plant imagery
