摘要
本文研究以新中国初期社会主义视觉文化建构为背景,聚焦中原地区传统艺术形式,梳理以朱仙镇木版年画为代表的图像,探讨其如何与社会主义文化相结合,创新出符合现代设计的视觉符号。通过对中原传统艺术图像的梳理,分析文化生产方式背后的推动力量,揭示艺术与生活有机结合的人民艺术文化。进一步探讨了中原传统图像在社会主义语境下形态与寓意的转变,基于此提出了中原传统图像在当代的传承与创新策略,助力传统文化的现代转型与发展。
This paper studies the construction of socialist visual culture in the early stage of New China,focuses on the traditional art forms in the Central Plains,sorts out the images represented by Zhuxian Town New Year wood-block prints,discusses how to combine them with socialist culture,and innovates visual symbols in line with modern design.Through the combing of the traditional art images of the Central Plains,the driving force behind the cultural production mode is analyzed,and the people's art and culture of the organic combination of art and life are revealed.It further discusses the transformation of the form and implication of the traditional images in the socialist context,and puts forward the inheritance and innovation strategy of the traditional images in the contemporary era,so as to help the modern transformation and development of traditional culture.
作者
王怡
海雯倩
WANG Yi;HAI Wenqian(School of Art and Design,Henan Institute of Technology,Xinxiang 453003,China)
出处
《鞋类工艺与设计》
2025年第18期198-200,共3页
SHOES TECHNOLOGY AND DESIGN
基金
2024年度新乡市社科联调研课题《新中国初期社会主义视觉文化中—人民艺术与中原传统图像的创新设计研究》(项目编号:SKL-2024-254)
2024年河南工学院校级教改项目《现代式的传统文化与匠人精神在产品设计专业课程建设的探索与执行》(项目编号:2024JG-ZD013)。
关键词
中原传统图像
木版年画
现代设计
人民艺术文化
central plains traditional image
wooden new year pictures
modern design
people's art and culture
