摘要
“白蛇传”剧目流传呈现出世代累积的改创特点,方成培本昆曲《雷峰塔》、田汉本京剧《白蛇传》分别可称得上是“白蛇传”剧目的古典、当代经典。田汉本京剧《白蛇传》不仅在剧本主旨、内容、舞台表现上对方成培本昆曲《雷峰塔》多有改造和超越,同时自身也经历了长达十多年的自我完善过程。田汉本京剧《白蛇传》经典再造的贡献非常明显,在当代产生了广泛、深远的影响。京剧《白蛇传》在改编过程中,“白蛇传”故事神话性、丰富性的内容多有流失,这些内容具有民间文艺趣味和多重隐喻价值,“白蛇传”剧目具有再经典化的巨大空间和可能。
The Legend of the White Snake play has evolved over generations,with each iteration bringing its own innovations.Fang Chengpei's Kunqu opera The Pagoda of leifeng and Tian Han's Peking opera The Leg-end of the White Snake can be regarded as the dassical and contemporary classics of the Legend of the White Snake play,respectively.Tian Han's Peking Opera adaptation of The Legend of the White Snake not only made significant revisions and improvements to Fang Chengpei's Kunqu opera The Pagoda of Leifeng in terms of plot,content,and stage presentation,but also underwent a decade-long process of self-improvement.The contribution of Tian Han's Peking Opera version of The Legend of the White Snake to the re-creation of the classic is evident,and it has had a widespread and profound impact in contemporary times.The mythical and rich content of the“White Snake”story is preserved to varying degrees in different opera versions of The Legend of the White Snake.This content possesses folk artistic charm and multiple metaphorical values,and the“White Snake”opera has immense potential for re-classification.
作者
伏涤修
Fu Dixiu(Zhejiang Provincial Film and DramaResearch Centre,Zhejiang University of Media and Communication,Hangzhou,310018;Shanghai Normal University)
出处
《民族艺术研究》
2025年第4期125-135,共11页
Ethnic Art Studies
基金
2020年度国家社科基金艺术学重大项目“中国戏曲历史题材创作研究”(项目批准号:20ZD23)的阶段性研究成果。
关键词
“白蛇传”剧目
京剧《白蛇传》
经典建构
改创得失
再经典化
The Legend of the White Snake plays
Peking Opera The Legend of the White Snake
classic con-struction
gains and losses of adaptation and innovation
re-classification
