摘要
在世界博物馆发展史上,民俗博物馆的出现具有重要的意义,它不仅极大地拓展了展品的范围,而且广泛地传播了人类的新文化观与民主意识。在“民众生活”与“以社区为中心”等一系列新民俗学思想的推动下,公共民俗学家正在积极推进民俗博物馆的剧场化实践,倡导各级民俗博物馆强化服务意识,推崇包容性与平等观念,积极引导民间艺术家参与博物馆的展陈活动,推动多元主体协同创新的文化表演实践。民俗学的表演理论可以很好地理解与阐释民俗博物馆的剧场化实践,而基于民俗博物馆的实验与反思,也可以进一步推动表演理论的不断完善。
The emergence of folk museums holds great significance in the history of global museology.It not only greatly expanded the scope of museum collctions but also widely disseminated new cultural perspectives and demoerat ic consciousness.Under the influence of new folkloristic ideas such as“folklife”and“commu-nity-centered”approaches,public folklorists have been actively advancing the theatricalization of folk muse-ums.They advocate strengthening service-oriented practices at all levels of folk museums,promoting inclu-siveness and equality,encouraging folk artists to participate in exhibition activities,and fostering collabora-tive and innovative culural performances involving diverse actors.Performance theory in folklore studies pro-vides a valuable framework for understanding and interpreting the theatricalization of folk museums,while the experiments and reflections derived from folk museum practices can,in turn,further refine and advance performance theory.
作者
王杰文
Wang Jiewen(Institute of Art of Communication University of China,Beijing,100024)
出处
《民族艺术研究》
2025年第4期78-86,共9页
Ethnic Art Studies
基金
国家社科基金艺术学重大项目“中国皮影艺术传承创新研究(项目批准号:22ZD08)”子项目“中国皮影戏造型与表演的传承研究”的阶段性研究成果。
关键词
民俗博物馆
民众生活
社区
剧场化
表演
folk museums
folklife
community
theatricalization
performance
