摘要
李商隐寓桂幕时期咏物与写景作品具有其此时期的阶段性特点,从视角与风格上来说,其所咏的物象多为实见的微物,重视突出其柔婉的特点;而在表现手法上,诗人运用多种感官感觉混合的手法,将文字呈现诉诸人的视觉、听觉、体感等。本文以李商隐寓桂幕时期咏物写景诗文本为核心,意在探赜其创作的阶段性特征并分析其内在蕴含:这些阶段性特征与诗人远离京畿地区,远行寓桂入幕,以及其个人年岁增长的心态变化有着密切的联系,这种创作的阶段性特征实际上是李商隐个人心态的阶段性特征的反映。
Li Shangyin's pieces on objects and landscapes in the period of his residence in Gui Mu are characterized by the phases of this period.In terms of perspective and style,most of the objects he wrote about are real micro-objects,emphasizing the characteristics of their softness and elegance;in terms of the means of expression,the poet uses a mixture of multiple senses and senses,applying the textual presentations to the human visual,auditory,and physical senses,etc.This paper takes Li Shangyin's aria and scenic poems in the period of his residence in Gui Mu as the research center,aiming at exploring the stage characteristics of his creation and analyzing its inner implication:These stage characteristics of Li Shangyin's creative work during the period of his residence in the Gui Mu are closely related to the poet's travel to Gui Mu far away from the capital,and the change of his mentality as he grew older,and this stage characteristic of his creative work is actually a reflection of the stage characteristics of Li Shangyin's personal mentality.
作者
李丁
阳静
LI Ding;YANG Jing
出处
《吉林省教育学院学报》
2025年第8期155-162,共8页
Journal of Jilin Provincial Institute of Education
基金
2024年广西大学文学与文化研究中心“研究生、本科生创新计划”项目“李商隐寓桂幕时期诗歌创作研究”(XS202415)。
关键词
李商隐
广西诗歌
入幕
咏物写景诗
唐诗之路
Li Shangyin
Guangxi poems
engagement in politics
aria and landscape poems
the road of Tang poetry
