摘要
《经伏波神祠诗卷》作为黄庭坚晚年行书的代表作之一,其中所包含的痛快沉着、奔放绝俗的笔法,放浪欹侧、势若飞动的结体,时空一体、变幻无穷的章法布局,以及清雅超迈、寄寓人生的境界,是对其尚“意”、重“韵”、尚“拙”和“自成一家”书学观的最佳阐释,实现笔墨形式、作者心性和文字内容三者的完美统一。文章通过对该作品艺术语言的综合分析,揭示黄庭坚书学思想在书法作品中的具体表现。
As one of the representative works of Huang Tingjian in his later years,the Poem Scroll of Visiting the Shrine of General Fubo contains the cheerful calm,bold and unrestrained style of writing,lean into one side,with potential motion as flying,with space-time unity and changing endless layout.The elegance and transcendence in the realm of life is the best interpretation of its respect for“meaning”,focus on“rhyme”,“clumsy”and the view of“forming a style of its own”to achieve the perfect unity of pen and ink form,author’s temperament and text content.Through the comprehensive analysis of the artistic language of the work,the concrete expression of the author’s thoughts on calligraphy in his calligraphy works are revealed.
作者
金勇
JIN Yong(College of Culture and Media,Ma’anshan Normal College,Ma’anshan 243041,Anhui,China)
出处
《安徽工业大学学报(社会科学版)》
2025年第2期32-37,共6页
Journal of Anhui University of Technology:Social Sciences
关键词
黄庭坚书学观
“意”
“韵”
“拙”
《经伏波神祠诗卷》
Huang Tingjian’s idea of calligraphy
“Meaning”
“Rhyme”
“Clumsy”
the Poem Scroll of Visiting the Shrine of General Fubo
