摘要
钢凹版雕刻技艺自20世纪初引入中国后,历经百年本土化融合,升华为独具东方美学特质的文化实践。本文以行业从业者的视角,系统梳理该技艺在中国的发展脉络,从早期技术引进,到“以线塑魂”的创作哲学形成,从手工协同与激光的技术创新,到《亚洲标准》制定下的文化反向输出。通过《两弹一星元勋肖像》《大国重器》等典型案例,揭示钢凹版雕刻如何以“守正创新”为内核,在数字化浪潮中实现“道器合一”的现代转型,成为讲述中国故事、参与国际文化对话的重要载体。
Since its introduction to China in the early 20th century,steel intaglio engraving has undergone a century-long process of cultural localization,evolving from technical transplantation to a distinctive cultural practice embodying Eastern aesthetics.From a practitioner's first-hand perspective,this study traces the technique's development trajectory in China:from initial technology transfer,to the formation of animating spirit through lines creative philosophy;from manual-laser synergy innovations,to cultural counterflow via the Asian Standard establishment.Through case studies including Portraits of Two Bombs,One SatelliteLaureates(两弹一星)andPillars of National Strength(大国重器)stamp series,it reveals how"innovation rooted in tradition"(守正创新)drives the"unity of dao and qi"(道器合一)transformation in the digital age,positioning engraving as a vital medium for narrating China's stories and engaging global cultural discourse.
作者
杨志英
YANG Zhiying(Beijing Stamp Factory Co.,Ltd.)
关键词
钢凹版雕刻
本土化
文化传承
守正创新
工匠精神
steel intaglio engraving
cultural localization
cultural transmission
tradition-rooted innovation
artisan spirit
