摘要
赵朴初是20世纪中国书坛的重要代表人物,其卓越的书法成就却时常被其显赫的其他社会身份所遮蔽。文章从赵朴初的家世、地域文化背景及人生历程等方面,剖析其书法风格的形成脉络与美学意蕴。在此基础上,文章探讨赵朴初书法艺术“实至而名未归”的深层原因,并从创作者的主体自觉与学界评价的双重视角,对其书法艺术和成就给予更为客观的价值评判,并对其在中国书法史上的历史地位作出较为准确的界定。
Zhao Puchu was an important representative figure in the 20th century Chinese calligraphy world, but his outstanding calligraphy achievements were often overshadowed by his prominent social status. The article analyzes the formation and aesthetic implications of Zhao Puchu's calligraphy style from the aspects of his family background, regional cultural background, and life journey. On this basis, the article explores the underlying reasons for Zhao Puchu's calligraphy art being "practical but not well-known", and provides a more objective value evaluation of his calligraphy art and achievements from the dual perspectives of the creator's subjective consciousness and academic evaluation, and makes a more accurate definition of his historical position in the history of Chinese calligraphy.
出处
《淮南师范学院学报》
2025年第4期74-77,136,共5页
Journal of Huainan Normal University
基金
安徽省高等学校人文社会科学研究重点项目“梁巘书法研究”(SK2021A0935)。
关键词
赵朴初
书法
帖学
Formation
evaluation
Zhao Puchu
calligraphy
harmonyThe Study of Model-Calligraphy Manuscripts
