摘要
该研究以古琴为个案,基于民俗学叙事理论与声景理论,构建时间、空间、交互三维框架,探讨传统乐器在当代民俗中的叙事功能转型。文章梳理古琴从祭祀雅乐到数字声景的演进路径,揭示其在空间泛化、时间碎片化与主体分离等挑战下的叙事场消解问题。通过长三角古琴艺术节、兰考徐场村文旅融合、深圳博物馆教育实践与数字孪生“秋籁”等案例,论证节庆重构、在地体验、身体传承与技术赋能对其叙事功能的重构机制。研究认为,传统乐器正通过跨媒介融合实现“静态保存—动态激活”的转化,成为连接文化认同与产业价值的重要载体,亟须构建多元协同的可持续传承生态。
This study takes the guqin as a case to examine the transformation of traditional instruments'narrative function in contemporary folklore,drawing on narrative theory and soundscape theory.A time–space–interaction framework is constructed to trace the guqin's evolution from ritual music to digital soundscape and reveal its narrative disruption amid spatial generalization,temporal fragmentation,and subject-role separation.Through case studies—Yangtze River Delta festivals,rural cultural tourism in Xuchang,Shenzhen Museum education,and the digital twin"Qiulai"—the paper analyzes how festivals,embodied learning,and technological mediation reconstruct its narrative agency.The study argues that traditional instruments are shifting from static preservation to dynamic activation via cross-media integration,emerging as key vehicles of cultural identity and industrial value.A collaborative,sustainable ecology is needed to ensure their vitality.
作者
许言
XU Yan(Jinken Colloge of Technology,Nanjing Jiangsu,211156,China)
出处
《文化创新比较研究》
2025年第25期65-69,共5页
Comparative Study of Cultural Innovation
基金
2024年江苏省高校“青蓝工程”优秀青年骨干教师培养项目资助
2022年度江苏省高校哲学社会科学研究一般项目“深度学习视域下高职学前教育专业奥尔夫音乐教学法的课堂教学评价研究”(项目编号:2022 SJYB0921)。
关键词
古琴
传统乐器
民俗活动
声景理论
数字化赋能
文化认同
Guqin
Traditional musical instruments
Folk activities
Soundscape Theory
Digital enabling
Cultural identity
