摘要
现有关于民国《红楼梦》图像化改编研究多聚焦结集出版的《红楼梦》连环画,鲜有研究者关注报刊刊载《红楼梦》图像化改编之作。就发表媒介而言,民国报刊对《红楼梦》在彼时市民读者中的传播与接受具有不应忽视之作用。基于此,结合新近发现1948年连载于《益世报》(上海)李丁陇所绘的《红楼梦》连环画,稽考李丁陇其人其作的同时,回归历史现场,在已查阅到连载于报刊的《红楼梦》系列连环画中,考论作为亲赴敦煌临摹壁画现代画家第一人的李丁陇所绘《红楼梦》连环画在艺术上的独特性。李丁陇创作活动不仅在敦煌艺术史,亦在现代美术绘画史应占据一席之地,惜为学界所忽视。以此契机,有必要打开历史褶皱,对李丁陇其人其作进行重新审视。
Scholarly research on graphical adaptations of A Dream of Red Mansions during the Republic of China period has primarily centered on comic book compilations published in collected editions,with minimal attention given to adaptations appearing in newspapers and periodicals.Yet these periodical publications served as crucial vehicles for disseminating A Dream of Red Mansions among urban readers of that era—a significance that cannot be overlooked.This study examines the recently discovered comic strip adaptation of A Dream of Red Mansions illustrated by Li Dinglong in the Yi Shih Pao(Shanghai)in 1948,exploring both the artist's life and works within the historical context.The research analyzes the distinctive artistic qualities of Li Dinglong's illustrations,highlighting his pioneering status as the first modern painter to visit Dunhuang for the purpose of copying mural paintings.Despite meriting recognition in the histories of Dunhuang art,modern fine arts,and painting,Li Dinglong's creative contributions have been largely neglected by academics.This study aims to unfold these historical oversights and reevaluate Li Dinglong's artistic legacy and his significant contributions to visual adaptations of classical literature.
出处
《上海视觉》
2025年第3期43-50,共8页
Shanghai Vision
基金
教育部人文社会科学研究青年基金项目“新文学传播方式转型与市民读者接受研究(1927—1937年)”(编号22YJC751037)。
关键词
李丁陇
《红楼梦》连环画
《益世报》(上海)
图文互动
“框中框”构图
Li Dinglong
A Dream of Red Mansions Comic Strip
Yi Shih Pao(Shanghai)
Text-image Interaction
Frame-within-frame Structure
