摘要
抗战时期的桂林,因其地理与战略优势,成为中国西南地区的重要文化中心。随着国际战局演变,众多音乐家由上海、武汉与香港地区等地迁入桂林,创作了大量的抗战音乐作品,并开展了多样的音乐活动。历史分期为理解历史进程的重要方法,用于阐述不同历史时期的文化特征。本文依照抗战整体进程及桂林音乐文化自身嬗变的脉络,将其分为四阶段:一为广西抗战音乐文化的早期发展(1931-1938);二为“国共合作”中的繁荣期(1939-1940);三为“国共合作”破裂后的艺术化倾向期(1941-1942);四为抗战音乐由盛转衰期(1943-1944)。桂林抗战音乐的兴起,离不开中国共产党文艺政策的贯彻与抗日民族统一战线的推动,也得益于新桂系有限“开明”的政策。
During the War of Resistance Against Japan period,Gulin attained the significant cultural center in southwest China due to its geographical and strategic status.Since the change of the world war,many musicians migrated to here from Shanghai,Wuhan and Hong Kong,they not only output abundant music on the War of Resistance Against Japanese Aggression,but also launched various musical activities.Periodizing its history is an important way for absorbing itself processing and basement for the interpreting the culture characteristics of each periods.Referencing the process of the War of Resistance Against Japanese Aggression and content of the music,the author periodize this time to four stages:1.Early stage of Guangxi Music Culture in the War of Resistance Against Japanese Aggression Period(1931-1938);2.Prosperous Period in the Communist and Kuomintang Alliance(1939-1940);3.The Artistic Dominant Period after the Communist and Kuomintang Break-off(1941-1942);4.The Decline Period(1941-1942).As conclusion,the author consider the emergence of music about the War of Resistance Against Japanese Aggression is inseparable with the implementation of the Communist Party of China's literature and art policy and the promotion of National United Front,as well as the limited open policy of the new Guangxi Clique.
作者
刘益行
李莉
Liu Yixing;Li Li
出处
《北方音乐》
2025年第3期26-37,共12页
Journal of the Northern Music
基金
2023年广西哲学社会科学研究课题“广西近代新音乐发展研究”(项目编号:23FWY023)阶段性成果。
关键词
桂林“文化城”
抗战音乐
历史
分期
特征
Guilin Cultural City
the War of Resistance Against Japanese Aggression
history
periodize
