摘要
抽象概念词在英语诗歌中被广泛使用,这一现象较汉诗远为普遍。相较之下,英语诗歌在其悠久的历史传统中就有将抽象概念词首字母大写并赋予概念拟人特征的修辞手法,而汉语古典诗歌则无此做法,直到中国近代时期文学创作受西学影响,汉语诗歌创作者模仿西方诗歌进行创作,汉语诗歌中才有了抽象概念词的大量使用。本文选取文艺复兴以降在抽象概念词的使用上具有代表性的英语诗作进行阅读和分析,比较西方诗歌利用抽象概念词直抒胸臆的做法和中国古典诗歌对于“理念”隐而不宣的做法,探讨中西方不同的思维方式和诗学传统,最后介绍20世纪著名诗人埃兹拉·庞德对英诗大量使用抽象表述现象的批判以及抽象概念词在现代英语诗歌中的式微。
Abstractions are widely used in English poetry,a phenomenon that is much more common than in Chinese poetry.In contrast,English poetry has a long-standing tradition of capitalization and personification of abstract concepts while classical Chinese poetry does not incorporate this particular practice.It was not until the modern period in China,when literary creation was influenced by Western learning,that there was a significant use of abstractions in Chinese poetry.This article selects representative English poems from the Renaissance onwards for reading and analysis in terms of their application of abstractions,comparing the direct expression of emotions through abstract concepts in Western poetry with the hidden approach of Chinese classical poetry towards"ideas."It explores the different thinking patterns and poetic traditions between the East and the West.Finally,it introduces the critique by the famous 20th-century poet Ezra Pound on the excessive use of abstract expressions in English poetry and the decline of abstractions in modern English poetry.
作者
曾静
Zeng Jing(Guangxi Financial Vocational College(Guangxi Banking School),Nanning,530009,China)
出处
《语言与文化研究》
2025年第6期236-241,共6页
Language and Culture Research
基金
广西金融职业技术学院2025年科研专项校级课题《英汉诗歌抽象概念词比较研究》(项目编号:GXJZ202518)的研究成果。
