摘要
玉山雅集的后期形态及顾瑛的诗学观念与其前期台阁和山林文人共同追求快适的审美倾向明显不同。无论是转型期的感伤凄凉还是晚期长歌当哭的痛苦寄托,都异于前期的情感基调与诗学理想。到了顾瑛本人由玉山草堂移至合溪草堂之后,则其雅集的方式亦由现场的诗酒聚会转变为通过相互邮寄诗作的隔空传响式唱和。此种雅集方式的改变也带来其诗学观念的变异:一是用诗歌慰藉寂寞的精神世界;二是对于诗歌审美的追求更倾向于“闲”与“清”的格调。顾瑛此种由前期倾心于轰动效应、快适享受到晚期向往慰藉自我、闲适平淡的诗学观念演变过程,代表了元末吴中文学思想演变的典型特征。
The later form of the Yushan Literary Gatherings and Gu Ying's poetic perspectives in his later years markedly differed from the earlier aesthetic inclination toward comfort and ease shared by the courtly and scholarly literati.Both the melancholic sorrow during the transitional period and the cathartic,painful expression in his later long poems contrasted from the emotional tone and poetic perspectives of his earlier works.When Gu Ying moved from Yushan Caotang to Hexi Caotang,his style of literary gathering also shifted from on-site poetry and wine gatherings to the remote exchange of poems via postal correspondence.This shift in gathering style led to a change in his poetic perspectives:firstly,poetry became a means to soothe the loneliness of the spiritual world;secondly,his pursuit of poetic aesthetics shifted toward a preference for the"idle"and"pure"style.This transformation in Gu Ying's poetic perspectives-from the earlier focus on sensationalism and immediate gratification to the later longing for self-soothing and tranquil simplicity-represented a typical feature of the evolution of literary thought in late-Ming Wu culture.
出处
《南开学报(哲学社会科学版)》
北大核心
2025年第4期89-98,共10页
Journal of Nankai University Philosophy,Literature and Social Science Edition
基金
国家社会科学基金重大项目(14ZDB073)。
关键词
后期雅集
感伤痛苦
隔空唱和
闲适平淡
Later Literary Gatherings
Melancholic Sorrow
Remote Poetic Exchange
Tranquil Simplicity
