摘要
在家庭、教育和社会的三方作用之下,八旗诗媛的性别意识从朦胧走向自觉,主动追求自身主体价值建构。她们以家族、师门、诗友关系为纽带,构建起独特的文学网络,开辟出独立于男性的社交空间和文学场域,以清真秀婉的闺阁别调,塑造女性诗歌的审美特征。本文旨在呈现中华文学史上长期被掩埋的文学面貌和文化心态,剖析八旗女性诗人的创作机制和文学活动网络,揭示八旗诗媛的文学主体意识和性别观念的演变轨迹。八旗女性诗人融合血缘、姻缘、学缘、地缘等社会关系,有力推动着八旗文学世家的发展和壮大,赓续汉文诗学的文脉传承,构建起跨民族、跨文化、跨地域的文学生态,弥合了与男性文人之间的隔阂,推动中华文学逐步走向一体化。
Under the joint influence of family,education and society,the poetesses of the Eight Banners gradually awakened from a vague sense of gender difference to actively pursuing the construction of their own subjectivity and value.Leveraging relationships within families,mentorships,and poetic friendships,they established a unique literary network,creating independent social space and literary fields distinct from those dominated by men.With their refined,pure,graceful,and delicate poetic styles,they shaped the aesthetic characteristics of women’s poetry.This paper aims to uncover the long-buried literary landscape and cultural mindset in Chinese literary history,analyze the creative mechanisms and literary activity networks of poetesses of the Eight Banners,and reveal the evolution of their literary subjectivity and gender conceptions.These poetesses integrated kinship,marital ties,academic affiliations,and geographical connections,significantly promoting the development and expansion of literary families of the Eight Banners.They continued the tradition of Chinese poetics,constructed a literary ecosystem that transcended ethnic,cultural,and regional boundaries,bridged gaps between male and female literati,and promoted the gradual unification of the Chinese literature.
作者
多洛肯
刘影
Duo Luoken;Liu Ying(Faculty of Chinese Languages and Literature,Northwest Minzu University,Lanzhou 730030,China)
出处
《西北民族大学学报(哲学社会科学版)》
北大核心
2025年第3期119-129,共11页
Journal of Northwest Minzu University(Philosophy and Social Sciences)
基金
国家民委创新团队项目“中华文学遗产与中华民族共同体内涵建设”(项目编号:民委发〔2020〕76号)。
关键词
文学交融
八旗女性诗人
性别文学
文学关系
literary integration
poetesses of the Eight Banners
gender literature
literary relationship
