摘要
筝作为中国礼乐文明的核心载体,其五声性音阶体系与虚实相生的线性旋律思维,深刻体现了中华美学追求天人合一的艺术境界,在民族器乐发展史中始终占据着精神图腾的地位。这件发轫于战国秦地的弹拨乐器,通过两千余年地域流派的传承积淀,形成了以左手作韵、右手取声为技术核心的表演体系,成为诠释中国音乐文化基因的活态标本。在新世纪的发展中,筝乐创作在民族音乐复兴政策引导下,突破传统地域限制,实现了从民间口传心授向学院系统化教育的转型。作曲家群体将西方作曲技法与中国音乐语汇创造性融合,催生出《战台风》《幻想曲》等兼具传统神韵与现代品格的时代经典,推动筝乐从民俗艺术升华为文化认同的象征符号。对新世纪筝乐创作形态的嬗变与发展开展梳理研究,可为教育机制创新实践提供全新契机,为构建传统文化当代转化的理论模型、全球化语境下的民乐传承提供学理参照与实践路径。
As the core carrier of Chinese ritual and music civilization,the pentatonic scale system of the zither and its linear melodic conception,charterized by the interplay between substantial and ethereal tones,reflect the artistic realm of Chinese aesthetic ideal of"the unity of heaven and man".In the history of Chinese instrumental music,zither has always occupied the position of a spiritual totem.This plucked instrument,which originated in the Qin region during the Warring States period,has formed a performance system with left-hand tonal modulation and right-hand note articulation as its technical core through more than two thousand years of development.It has become a vital medium for interpreting the genetic code of Chinese music culture.In the new century,under the guidance of the national music revitalization policy,zither music has transcended geographical restrictions and realized the transformation from folk oral teaching to academic systematic education.Contemporary composers have creatively integrates Western compositional techniques with Chinese musical language,giving birth to groundbreaking works like"Fighting the Typhoon"and"Fantasy"that artfully blend traditional charm with modern expression.This creative fusion has elevated zither music from folk art to a symbol of cultural identity.A systematic study of the evolution and development of the creative form of zither music in the new century offers valuable insights for institutional innovation in music education.Moreover,it provides both theoretical reference and practical path for modeling the contemporary transformation of traditional culture and the inheritance of folk music under the globalized era.
作者
耿思琦
GENG Si-qi(Anhui University,Huangshan,Anhui 245021)
出处
《吉林艺术学院学报》
2025年第3期69-74,共6页
Journal of Jilin University of Arts
基金
2024年安徽省高等学校科学研究项目(人文社会科学)“新中国成立以来筝乐创作的多元化发展研究”(2024AH053266)阶段性成果。
关键词
筝乐创作
民乐教育
文化转型
传承策略
zither music composition
folk music education
cultural transformation
heritage strategie
