摘要
该文聚焦李娟《冬牧场》中的写作转向,探讨其在边地生活经验中如何调整自身与“他者”的关系。文章通过文本细读,比较《遥远的向日葵地》与《冬牧场》的叙述差异,指出其写作视角由“观察”转向“共处”。在劳动、信仰、待客等具体文化实践中,李娟尝试以非侵入的方式接近哈萨克人的生活秩序。她对语言障碍与文化隔膜的正面呈现,体现出写作中对“理解的局限性”的自觉。与此同时,《冬牧场》记录了哈萨克族游牧生活终结前的最后经验,也使写作者与“他者”的关系从文本建构转向经验告别。该书可视为一种基于共处经验的文化记录方式,其写作策略对当代非虚构文本中的文化叙述路径具有一定启发意义。
This article focuses on the narrative shift in Li Juan's Winter Pasture,exploring how the author reconfigures her relationship with"the Other"through lived experiences in the borderlands.Through close textual analysis and a comparison with The Remote Sunflower Field,the paper traces the transformation of Li's narrative stance from detached observation to shared cohabitation.By engaging with everyday practices such as labor,hospitality,and belief systems,Li attempts to approach Kazakh pastoral life in a non-intrusive manner.Her direct acknowledgment of linguistic and cultural boundaries demonstrates a conscious awareness of the limitations of understanding.At the same time,Winter Pasture documents the final stage of Kazakh nomadic life,marking a transition from textual representation to experiential farewell.The book can be viewed as a form of cultural documentation grounded in cohabitation experience,offering insight into alternative approaches to cultural narration in contemporary nonfiction writing.
作者
刘晓桐
LIU Xiaotong(University College Dublin,Dublin,D04V1W8,Ireland)
出处
《文化创新比较研究》
2025年第23期5-9,共5页
Comparative Study of Cultural Innovation
关键词
李娟
《冬牧场》
非虚构写作
他者书写
边地叙述
跨文化观察
Li Juan
Winter Pasture
Nonfiction writing
Writing the Other
Borderland narration
Cross-cultural observation
