摘要
文章基于建筑与服装的结构共性,探讨建筑几何语言向服装设计的转译机制。研究以古根海姆毕尔巴鄂博物馆为原型,通过非对称曲面、折叠肌理等建筑逻辑压缩至衣体尺度,提出“剪力肌理”“动态折面”等转译路径。在设计实践中以偏移肩线、斜向缠绕、渐变网格等手法重构身体与空间关系,验证建筑思维可赋予服装“可穿戴结构”的新语法。研究表明,建筑几何通过形态映射与哲学语境的深度融合,突破形式模仿层面,实现构造逻辑的跨尺度转化。
This article explores the translational mechanisms of architectural geometric language into fashion design based on the structural similarities between architecture and fashion.Using the Guggenheim Museum Bilbao as a prototype,the study compresses architectural logic—such as asymmetric curves and folded textures—into the scale of the garment,proposing translation pathways such as"shear texture"and"dynamic folding planes".In design practice,techniques like shifted shoulder lines,diagonal wrapping,and gradient grids are employed to reconstruct the relationship between the body and space,validating that architectural thinking can bestow a new grammar of"wearable structure"to fashion.The research demonstrates that architectural geometry,through the deep integration of form mapping and philosophical context,transcends mere formal imitation,achieving the cross-scale transformation of construction logic.
作者
陈美璇
CHEN Meixuan(School of Fine Arts,Liaoning Normal University,Dalian 116029,China)
出处
《西部皮革》
2025年第14期100-102,共3页
West Leather
关键词
建筑设计思维
服装设计
结构构成
可穿戴空间
architectural design thinking
fashion design
structural composition
wearable space
