摘要
在宋代趋于平淡的美学思潮下,苏轼辩证地发掘了陶渊明诗歌的平淡美意蕴,通过崇陶、论陶,抒发“自我”对“他者”的文学认同、美学认同、人格认同,标举陶渊明人格与诗歌任真自然、和谐统一的美。经由苏的阐释,平淡诗美观得以深化确立,陶渊明也因此成为宋人心目中平淡美理想的典范。苏轼晚年接连被贬,曲折的人生经历让他对生命存在有了更深刻的思考,接受了陶渊明任真自得、固穷守节的一面来满足自我生命需要。在陶渊明理想人格与艺术面貌的感召下,苏轼以追和的形式与陶渊明进行跨时空对话,熔铸自己晚年的思想体悟、艺术主张,主动超越苦难,调和自我与世界的关系,追问宇宙人生之“真”所在。和陶诗蕴藏了对陶渊明其人其诗的理解与共鸣,包含了对陶渊明的主动接受和自觉超越,是苏轼晚年对自我美学面貌的塑造,也显示着苏轼晚年诗风向平淡美的转变历程,具有重要的美学意义。
Under the aesthetic trend of the Song Dynasty,Su Shi dialectically explored the meaning of the plain beauty of Tao Yuanming's poetry,expressed the literary,aesthetic and personality identity of"oneself"to"other"through the worship and discussion of Tao Yuanming,and marked the natural and harmonious beauty of Tao Yuanming's personality and poetry.Through Su Shi's interpretation,the beauty of plain poetry was further established,and Tao Yuanming became the ideal model of plain beauty in the eyes of the Song people.As far as Su Shi's personal life course is concerned,he was successively banished in his later years.The tortuous life experience made him think more deeply about the existence of life,and he accepted Tao Yuanming's idea of being truly contented and solid in poverty to meet his life needs.Inspired by Tao Yuanming's ideal personality and artistic outlook,Su Shi conducted a cross-time and space dialogue with Tao Yuanming in the form of pursuing peace,and forged his own ideological understanding and artistic propositions in his later years,taking the initiative to transcend suffering,to harmonize the relationship between himself and the world,and to inquire into the"truth"of life in the universe."He Tao Shi",the name referring to the poems similar to the rhyme and style of Tao Yuanming's,is not only a conscious innovation in literary form,but also contains Su Shi's understanding and resonance of Tao Yuanming's personality and his poems,including Su Shi's active acceptance and conscious transcendence of Tao Yuanming,which is the shaping of Su Shi's aesthetic appearance in his later years.The transformation of Su Shi's poetic style into plain beauty in his later years has important aesthetic significance.
出处
《文学与文化》
2025年第2期19-29,共11页
Literature and Culture Studies
关键词
苏轼
和陶诗
陶渊明
接受美学
平淡美
Su Shi
Poems to the Rhyme and Style of Tao Yuanming's Poems
Tao Yuanming
Reception Aesthetics
Plain Beauty
