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乾隆时期宫廷座屏的装饰艺术与成因探析

Analysis of the Decoration and Cultural Connotation of the Palace Screen in Qianlong Period
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摘要 乾隆时期宫廷座屏技艺精湛、典雅富丽。为探究这一时期宫廷座屏的装饰艺术及其成因,丰富座屏的研究,结合历史文献、图像实物,分别对座屏的多种纹饰和材质进行探讨,分析影响装饰特征形成的文化因素。通过研究得出,乾隆时期的宫廷座屏多将龙纹与植物纹、云纹结合运用在屏心、屏帽,并且开始吸纳西洋元素、文人元素作为装饰题材。在座屏材质的研究中,乾隆对紫檀和西洋玻璃及其他贵重镶嵌材质的喜爱,使得座屏更倾向于象征权力和财富的独特风格。探究装饰艺术的成因,既要遵循当时的造作制度,同时又要考虑统治者的个人审美意趣和草原民族文化思想等多种因素。 During the Qianlong period,the court screen was characterized by its exquisiteness,elegance,and splendor.In order to explore the decorative art and its causes of the palace seat screen in this period and enrich the research of the seat screen,this study combined historical documents and image objects.The various patterns and materials of the seat screen were discussed respectively,and the cultural factors affecting the formation of decorative features were analyzed.The research concluded that the palace screen in the Qianlong period mostly combined the dragon pattern with the plant pattern and the cloud pattern in the screen and the screen cap,and began to absorb Western elements and literati elements as decorative themes.In the study of the material of the screen,Qianlong's love of red sandalwood,western glass,and other precious mosaic materials made the screen more inclined to the unique style of symbolizing power and wealth.To explore the causes of decorative art,it is necessary to follow the creation system at that time and consider various factors such as the ruler's personal aesthetic interest and grassland national cultural thought.
作者 徐子微 郭宗平 邓佳璇 XU Ziwei;GUO Zongping;DENG Jiaxuan(College of Architecture and Art,Taiyuan University of Technology,Jinzhong 030600,Shanxi)
出处 《家具》 2025年第4期89-93,共5页 Furniture
基金 山西省哲学社会科学规划课题(2024YJ223)。
关键词 乾隆 宫廷座屏 装饰 材质 成因 Qianlong royal palace screen decoration material origin
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