摘要
本文基于“生产美学”向“接受美学”的范式迁移,探究当代公共艺术实践与理论新趋势。在消费社会与文化民主化浪潮中,公共艺术突破了传统“城市雕塑”的静态陈列模式,演变为融合策划、创作、运营的整体性文化事件。本文以当前的公共艺术实践为案例,探讨接受美学视角下策划运营在连接艺术生产与公众接受中的关键作用,揭示艺术家由创作主体转变为创意引导者、公众由被动观赏者转变为意义共建者的角色演变。这种多元主体协作模式,推动公共艺术成为激活城市记忆、重构社区关系的有效媒介,为构建开放包容的城市文化生态提供了坚实的理论与实践参考。
This article explores new trends in contemporary public art practice and theory based on the transformation of paradigms from"production aesthetics"to"reception aesthetics".In consumer society and the wave of cultural democratization,public art transcends the conventional static display mode of"urban sculptures",and evolves into a holistic cultural event that integrates planning,creation and operation.Taking today's public art practice as an example,this article explores the key role of planning and operation in connecting art production and public acceptance from the perspective of reception aesthetics,and elucidates changes in roles,with artists changing from creation subjects to creative guides and the public from passive viewers to active meaning-builders.Such a multi-party collaboration mode enables public art to effectively reinvigorate urban memory and foster community connections,providing a solid theoretical foundation and empirical case studies for building an open,inclusive ecologyofurban culture.
作者
姜俊
汪单
Jiang Jun;Wang Dan(Sichuan Fine Arts Institute;Art Economics Professional Committee,Zhejiang Creative Design Association;School of Design,Shanghai Jiao Tong University)
出处
《美术》
北大核心
2025年第7期23-31,共9页
Art Magazine
关键词
公共艺术
生产美学
接受美学
参与式艺术
public art
production aesthetics
reception aesthetics
participatory art
