摘要
本文梳理了公共艺术理论在中国的传播,对公共艺术的概念进行了必要的界定,就1949年以来中国公共艺术的发展实践进行了阶段性的分类,提出了纪念性公共艺术、审美型公共艺术、生活型公共艺术的概念,进而讨论了公共艺术中的场所意识。公共艺术是一种广泛共享的艺术形式,它能够与广大观众产生精神上的共鸣。同时,特定的场所与环境赋予了公共艺术创作独特的“在地性”。因此,本文重点讨论了公共艺术的一个重要形态——雕塑公园,并分析其如何转向乡村空间。在此基础上,本文提出应在中国丰富的历史文化土壤中发展具有深刻文化内涵、高远思想境界和鲜明艺术特色的当代中国公共艺术。
While combing through the spread of public art theory in China and defining public art,this article classifies public art development in China since 1949 into different stages,proposes the concepts of commemorative public art,aesthetic public art,and life-oriented public art,and discusses place awareness in public art.Public art is a widely shared form of art that can resonate spiritually with a wide audience.At the same time,specific places and environments provide public art creation with unique"local features".Therefore,this article focuses on an important form of public art-sculpture parks,and analyzes how they can be built in rural areas.On this basis,this article puts forward that given profound Chinese history and culture,it is imperative to develop contemporary Chinese public art with profound cultural connotations,elevated realm of thinking and distinctive artistic characteristics.
作者
殷双喜
李超
Yin Shuangxi;Li Chao(Central Academy of Fine Arts;Shanghai Academy of Fine Arts,Shanghai University)
出处
《美术》
北大核心
2025年第7期14-22,共9页
Art Magazine
关键词
公共艺术
场所
雕塑公园
历史
中国文化
public art
places
sculpture parks
history
Chinese culture
