摘要
系统梳理了明清两代不同阶段陶瓷装饰莲花纹样工艺技法与构图形式的发展历程,结合哲学、宗教与社会背景,剖析莲花纹样承载的多重象征内涵,指出莲花纹样作为“道器相生”的东方美学典范,其视觉语言中凝结的造物智慧与文化基因,为传统纹样的现代转化提供了本土化启示。
This article systematically reviews the development process of ceramic decoration lotus patterns in craftsmanship and composition forms during diff erent stages of the Ming and Qing dynasties,combining philosophical,religious,and social backgrounds,analyzes the multiple symbolic connotations carried by the lotus pattern.It is pointed out that the lotus pattern,as a model of Eastern aesthetics that embodies the concept of"the interplay of Dao and Qi",providing localized inspiration for the modern transformation of traditional patterns through the condensation of creative wisdom and cultural genes in its visual language.
出处
《丝网印刷》
2025年第11期43-46,共4页
Screen Printing
关键词
图像学
莲花纹
视觉语言
文化情感
image science
Lotus pattern
visual language
cultural and emotional expression
