摘要
玛格丽特·阿特伍德是一位具有鲜明女性意识的作家,但其作品在多大程度上能被视作女权主义代表作则颇具争议。以其初期代表作《可以食用的女人》中的三位人物为分析对象,探讨其对社会现存权利结构的反抗模式和反抗效果,指出三位作品人物看似反抗,实则为伪反抗、暂时反抗与有限的反抗者。通过对人物反抗模式的建构与解构,反映出阿特伍德并非女权主义者,而只因与当时流行思想倾向不谋而合而被女权主义“领养”。其作品打破了男性/女性、施害者/受害者的二元对立,体现了平等的两性观。
Margaret Atwood is a writer with distinct feminine consciousness.But to what extent her works can be regarded as feminist masterpieces is controversial.By analyzing three characters from her early masterpiece The Edible Woman and examining their resistance mode and effect against the existing power structure,this paper defines these seemingly rebellious characters as disguised,temporary,and limited rebels.By constructing and deconstructing their modes of resistance,this paper suggests that Atwood is not a typical feminist.Instead,she’s better described as a“feminist fellow-traveler”who was embraced by feminism due to her alignment with the popular ideologies of her time.Her works break down the binary oppositions of male/female and victimizer/victim,reflecting a gender-equal perspective.
作者
汪洁婷
Wang Jieting(Department of Foreign Language Teaching,Shanghai University of Medicine and Health Sciences,Shanghai 201318)
出处
《西部学刊》
2025年第14期155-159,共5页
Journal of Western
关键词
反抗
建构
解构
两性
resistance
construction
deconstruction
gender
