摘要
“铜雀台”作为曹操修筑的“邺城三台”之一,见证了曹魏王朝之盛衰与时代文化,在历史的流变中也逐步由物质载体转变为一种文化符号,集中书写于六朝及唐代诗人的铜雀台题材的诗歌文本中。至于唐代,铜雀台成为诗歌的重要意象,不仅继承了六朝的宫怨传统,还分别形成“邺下风流”与“双重叙事视角”的符号隐喻,在历史与当下的交汇中寄托着人们独特的文化记忆。
As one of the Three Towers of Ye City built by Cao Cao,the Bronze Sparrow Terrace vigorously embodies the rise and fall of the Cao and Wei Dynasty and the cultural significance.In the course of historical changes,it has gradually transformed from a material to cultural symbol,mainly written in the poetry texts of the Six Dynasties and Tang Dynasty poets with the theme of the Bronze Sparrow Terrace.During the Tang Dynasty,Bronze Sparrow Terrace and Bronze Sparrow Prostitute became important themes and their cultural connotations not only inherited the Palace Lament of the Six Dynasties,but also formed symbolic metaphors of"Ye Xia Feng Liu"and"dual narrative perspectives"respectively,embodying people's unique cultural memories in the intersection of history and the present.
作者
徐加琪
XU Jia-qi(School of Language and Literature,Shaanxi Normal University,Xi'an,Shanxi 710119,China)
出处
《湖北职业技术学院学报》
2025年第3期59-64,共6页
Journal of Hubei Polytechnic Institute
关键词
文化符号
唐代
铜雀台诗
culture symbol
the Tang Dynasty
Bronze Sparrow Terrace poetry
