摘要
明传奇中的“女性自祭”关目通过描绘自祭女子以生身祭死身的场景,表达其对生命意义的理解,从主题上可分为自我牺牲型祭祀和自我救赎型祭祀两类。自祭女子以微妙的动作和缠绵的曲唱演绎出明代女性的普遍生存状况,以及她们在生离死别面前的种种追寻。此类关目不仅是在叙述情节,还兼顾戏剧的舞台效果,使表演充满仪式感和声情之美。自祭关目中包蕴的的德教雅化和神道宣扬体现出明传奇固有的审美功能,也反映了明代女性生命意识的觉醒。
The“female self-sacrifice”scenes in Ming Dynasty Chuanqi depict women offering their living selves as sacrifices to their deceased selves,expressing their understanding of the meaning of life.Thematically,these scenes can be divided into two categories:sacrificial acts of self-sacrifice and acts of self-redemption.Through subtle movements and poignant singing,the self-sacrificing women portray the general living conditions of Ming Dynasty women and their various pursuits in the face of life and death separations.These scenes not only narrate the plot but also emphasize theatrical stage effects,imbuing the performances with a sense of ritual and emotional beauty.The moral refinement and divine advocacy embedded in these self-sacrifice scenes reflect the inherent aesthetic functions of Ming Dynasty Chuanqi and reveal the awakening of life consciousness among Ming Dynasty women.
作者
杨宝春
王淑君
Yang Baochun;Wang Shujun
出处
《四川戏剧》
北大核心
2025年第4期39-44,共6页
Sichuan Drama
关键词
明传奇
“女性自祭”
演出排场
文化解读
Ming Dynasty Chuanqi
“Female Self-sacrifice”
Theatrical Performance
Cultural Interpretation
