摘要
《黑鱼》和《孤零人》是当代法国剧作家阿尔芒·加蒂创作于20世纪50年代的两部中国题材剧作,分别以秦始皇和李切柳为主人公,在西方剧坛上实属罕见。剧作家结合传说和史实,展开丰富的浪漫想象,将前者塑造成一个虽无具体形象却又无处不在的帝国缔造者,而将后者刻画为一个既有坚定信念和牺牲精神又充满人情味的理想人物。与中国的同类历史剧相比,加蒂这两部中国剧目中的主人公形象都相当独特,更符合其接受对象法国观众的审美情趣,并不完全符合中国人的欣赏习惯,但对我们如何更好地对外塑造中国形象颇具启示意义。
Le poisson noir and Un homme seul are two China-themed plays written in the 1950s by contemporary French playwright Armand Gatti.With Qin Shihuang(First Emperor of Qin)and Li Qieliu as their respective protagonists,these works are rare in Western drama history.Gatti blends legends with historical facts to unleash rich romantic imagination.The former is portrayed as an omnipresent yet formless founder of an empire,while the latter is depicted as an ideal figure marked by unwavering belief,a spirit of sacrifice,and deep human warmth.Compared with similar historical plays in China,the protagonists in these two plays are quite unique,aligning more with the aesthetic preferences of French audiences rather than Chinese appreciation habits.Nonetheless,they offer valuable insights into how China's image might be more effectively presented to the world.
出处
《戏剧艺术》
北大核心
2025年第3期29-38,共10页
Theatre Arts
基金
国家社科基金艺术学重大项目“当代欧美戏剧研究”(19ZD10)的阶段性成果。
关键词
加蒂
黑鱼
孤零人
秦始皇
李切柳
Gatti
Le poisson noir
Un homme seul
First Emperor of Qin
Li Qieliu
