摘要
文章通过梳理19世纪法国象征主义画家莫罗的水彩画作品,分析了画家个人艺术理念以及在水彩实践中的象征与隐喻。莫罗在水彩画实践中将现实与幻想、具象与抽象相结合,创造出一种充满诗意气质和神秘哲思的艺术世界。莫罗反逻辑地使用经典文化元素来绘织视觉万象,极具革新性的水彩画语言推动了这一媒介从传统语境走向现代空间,为象征主义绘画体系乃至整个西方绘画的发展提供了重要的视觉范式。莫罗的水彩作品具有独特的风格与魅力,以他为代表的欧洲象征主义画家在不断探索与突破中增强了水彩艺术的视觉表现力,对水彩画的发展起到了重要的推动作用。莫罗和他的水彩画在今天的中国水彩画界,仍然有值得镜鉴的地方。
This article summarizes and analyzes the watercolor paintings of French Symbolist painter Gustave Moreau in the 19th century,elucidating the artist's personal artistic philosophy and exploration in the field of watercolour,the unique charm and presentation of personal artistic style,as well as the development of the expressive power of watercolour painting and the promotion of the historical status of watercolour by European Symbolist art represented by him.Moreau and his watercolour paintings still have areas worth absorbing and learning from in today's Chinese watercolour painting industry.
作者
邵昱皓
Shao Yuhao(School of Painting,Hubei Institute of Fine Arts)
出处
《湖北美术学院学报》
2025年第2期100-105,共6页
Hubei Institute of fine Arts Journal
