摘要
明代吴门画家谢时臣晚期创作有多件以巫峡为题的巨轴,其中四件现藏或曾收藏于日本。文章通过文献梳理谢时臣的旅行足迹,并归纳出谢时臣名胜图的两种类型—其风格取决于画家的创作动机或是否亲历,进而推断巫峡题材作品的创作并非依据实景,而是唐人诗意,是画家与诗圣杜甫的对话。
In the later period of his career,the Ming Dynasty Wu School painter Xie Shichen created several monumental scrolls themed around Wu Gorge,four of which are currently or were once housed in Japan.This article traces Xie Shichen's travel footprints through literature review and categorizes his scenic paintings into two types—their style determined by the artist's creative motivation or whether he visited the locations in person.It further concludes that the Wu Gorge theme works were not based on actual scenery but on the poetic imagery of Tang Dynasty poets,representing a dialogue between the painter and the poetic sage Du Fu.
作者
刘静
Liu Jing(School of Arts and Humanities,Sichuan Fine Arts Institute)
出处
《湖北美术学院学报》
2025年第2期11-19,共9页
Hubei Institute of fine Arts Journal
关键词
巫峡
谢时臣
诗意图
杜甫
Wu Gorge
Xie Shichen
poetic painting
Du Fu
